TOTAL LICENSING
Where the Wild Things Are Robert Wade and Paul Haggis. DECEMBER
Warner Brothers Daniel Craig is back as James Bond
Where the Wild Things Are follows and Dame Judi Dench returns as M. Madagascar 2: The Crate
With the legacy firmly in tact and a
Escape
new grittier persona re-established by
(Credits not final and subject to change)
Daniel Craig, Bond is back in another
DreamWorks Animation S.K.G.
of the longest running film series in
All the characters are back in Madagas-
history. More daring than debonair,
car: The Crate Escape. Left marooned
James Bond takes on more of the
on the distant shores of Madagas-
persona originally conceived by Ian
car, the New Yorkers have hatched a
Fleming. .
plan so crazy it just might work. With
Bond 22 will begin where Casino Roy-
military precision, the penguins have
ale left off. Audiences should brace
repaired an old crashed plane - sort
themselves for the next installment of
of. Once aloft, this unlikely crew stays
her majesty’s secret weapon personi-
airborne just enough to make it to the
fied; a charming, cold-hearted patriot
wildest place of all - the vast plains of
with a taste for luxury, women and
Africa itself - where our zoo-raised
the adventures of Max, a head-strong danger. crew encounter species of their own
young boy who leaves home after kind for the very first time. While dis-
having a fight with his mother – only Harry Potter and The Half covering their roots, they quickly re-
to find himself in a mysterious forest Blood Prince alize the differ-
bordering a vast sea. Misunderstood Warner Brothers ences between
and rebellious, Max sets sail to the Grossing over $3.5 the concrete
land of the Wild Things, where mis- billion in worldwide jungle and the
chief reigns. box office for the heart of Africa.
The live-action adventure film will use first four movies, Despite long-
a unique process to bring the story to the Harry Potter lost relatives,
life, incorporating the most dynamic phenomenon has romantic rivals
elements of voice performance, live- captivated fans of all and scheming
action puppetry and computer anima- ages. The series will hunters, Africa
tion. continue with Harry seems like a
Potter and the Half-
“crack-a-lackin”
Igor Blood Prince. great place…
Exodus Film Group In Harry Potter but is it better
CGI animated film about a mad sci- and the Half-Blood than their Cen-
entist’s hunchbacked assistant who Prince, as Harry be- tral Park home?
dreams of becoming a scientist him- gins his sixth year Voice cast in-
self and winning the annual Evil Sci- at Hogwarts, Lord cludes Ben Still-
ence Fair. Voldemort wreaks er, Chris Rock,
havoc throughout
David Schwimmer, Jada Pinkett Smith,
NOVEMBER Britain, and the pressure to defeat him Sacha Baron Cohen, Cedric The En-
grows stronger. Using an old Potions
tertainer and Andy Richter. Produced
James Bond 22 (working title) book which previously belonged to by Mireille Soria and Mark Swift and
Sony Pictures Entertainment the “Half-Blood Prince,” Harry is able directed by Eric Darnell and Tom Mc-
Produced by Barbara Broccoli and to increase his magical knowledge Grath.
Michael G Wilson, directed by Marc and prepare for battle. First though,
Forster and written by Neil Purvis, he must help Dumbledore discover Angels and Demons
the secret to Voldemort’s quest for
Sony Pictures
immortality – the location of his
World-renowned Harvard symboli-
Horcruxes. However, the quest for
gist Robert Langdon is summoned to
the Horcruxes and the resulting bat-
a Swiss research facility to analyze a
tle at Hogwarts produce a tragic out-
cryptic symbol seared into the chest
come – leading Harry to believe he
of a murdered physicist. What he dis-
must head out on his own to conquer
covers is unimaginable: a deadly ven-
the Dark Lord.
detta against the Catholic Church by
a centuries-old underground organi-
zation – the Illuminati. Desperate to
save the Vatican from a powerful time
108
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128